New Snippets! And a New Blog Post! And New Links!

Hoo-boy, what a month it has been.

Folks, starting a school year with elementary-school age kids, AND a new job, AT a new school, when it’s the first time both your wife and you have ever worked full time?

It’s no joke.

I am incredibly blessed to have all these opportunities, but I do not deny that it has been frantic and hectic. Good, but not relaxing. And some things have suffered.

This blog is definitely one of them. But I’m starting to be able to bring it back.

Over the past week, I have been fixing and improving book links. My new books are available over on the right sidebar: $3.99 for ALL THINGS HUGE AND HIDEOUS and $2.99 for THE GIRL WHO WASN’T THERE. In addition, if you want a taste of each, I have brand NEW SNIPPETS UP FOR EACH ONE in the SAMPLE SNIPPETS link above.

I hope to have new snippets up soon. Also, I have confirmation that I have sold a new short story: no shit it’s a CHOOSE-YOUR-OWN-ADVENTURE LOVECRAFTIAN NIGHTMARE. Never thought I’d sell it, but Stupendous Stories has picked it up!

Thanks for reading, friends.

Advertisements

DragonCon AAR: Legends and Dragons and Book Sales.

DragonCon was beyond awesome this year. Here are some of the highlights:

Thursday, I met with my publisher, Jason Rennie, and we helped to set up Bard’s Tower, a well-known bookselling staple of DragonCon (and others). Alexi was awesome, allowing Superversive Press to sell our books through the Tower.
I mean, okay, they were going to have featured signings, and I was going to have a chance to sell my book to passers-by, but hey, you gotta start somewhere.

Friday, we opened. In between the aforementioned selling copies of my book, among others, I ducked out to sit on panels about Arthur and the Round Table, and Cordwainer Smith, one of my favorite Golden Age authors. Four people bought books, the first of them being the awesome Dave Butler, award-winning author of the Witchy War series. I picked up his first book in the series, WITCHY EYE, as a prize last DragonCon. This year, I managed to pick up the third from the Baen Roadshow, who was giving away books to all active-duty military, teachers, and librarians. Thanks, Baen Books!

Butler DragonCon

I also met Brad Torgersen for the first time. Brad was nice enough to agree to blurb ALL THINGS HUGE AND HIDEOUS earlier this year, and is just a great guy to meet in person

Saturday was a big day at the Tower. It began with a new experience for me: it was the day I got to collaborate on the upcoming redesign of the cover for ALL THINGS HUGE AND HIDEOUS. By the end of the day, I had sold 90% of my books, including a copy that I gave away to Jim Butcher (mostly so I could say I did).

All-Things-Huge-and-Hideous-Kindle

Then I was able to reconnect with my Clarion mentor Tim Powers, who introduced me to a fellow Writers of the Future place-winner, Carrie Callahan, who I now consider a friend. Late that night in the Speaker’s Speakeasy, we both enjoyed an hour’s conversation with Larry Niven, who is certainly one of the greatest influences on my own work. That was amazing.

Finally, Sunday I managed to sell out. My last book went to an awesome lady who cosplays Dark Helmet, and thought the book was a riot. She actually came back and said that she’d found it hilarious and even brought a veterinarian friend with her. I also got to see Brad Torgersen win his Dragon Award for A STAR-WHEELED SKY. And Brad was later kind enough to spread the word about THE GIRL WHO WASN’T THERE! So DragonCon ends with a Dragon Award Winner recommending my books!

The Girl Who Wasn't There - KDP Cover

All in all, it was a wonderful con, and God has truly blessed me in giving me this chance to meet and work with such fine people.

Dragon Con Schedule!

Greetings, loyal readers! A week from now, I’ll be in Atlanta! Please stop by and say hello at my panel:

Title: Bringing More Seats To The Round Table: Diversity In Medieval Stories
Description: Arthurian legend was great for slaying dragons and creating Damsels In Distress. But we want the damsel picks up a sword and save everyone else. Join our panel of authors as they discuss the White Knight trope, fix Arthur’s round table and share their favorite non-traditional medieval era tales.
Time: Fri 01:00 pm Location: Augusta – Sheraton (Length: 1 Hour)
(Tentative Panelists: Milton J Davis, E.K. Johnston, Tony A Ballard-Smoot, Esther Friesner, G. Scott Huggins)

Unfortunately, I have just learned that my second panel, ALL THE SUBS, is scheduled to begin 25 minutes before my flight leaves on Monday, and I will NOT be able to attend unless it is rescheduled.

Title: All the Subs
Description: Fantasy is filled with all kinds of stories, but sometimes a trend pops up that turns into a sub-genre. Supervise? Gamelit? LitRPG? Cozy? Noir? There are so many, & a few that don’t really fit in any…yet.
Time: Mon 01:00 pm Location: Embassy EF – Hyatt (Length: 1 Hour)
(Tentative Panelists: L. Jagi Lamplighter, James A. Hunter, Aaron Crash, G. Scott Huggins, Cat Rambo, K. M. Herkes)

Finally, I will be at Bard’s Tower in the Dealer Room, helping to sell many fine books including, of course, ALL THINGS HUGE AND HIDEOUS. Please stop by and say hi!

All-Things-Huge-and-Hideous-Kindle

ALL THINGS HUGE AND HIDEOUS BONUS GIVEAWAY WINNER!

So, two weeks ago I announced that there would be a drawing amongst people who shared the news of the ALL THINGS HUGE AND HIDEOUS release within 24 hours online for a FREE Kindle copy of the eBook. And now that I am back from vacation I am able to announce that the winner is…

ANDREW WOODS! You’ve won a free copy! Get in touch with me on social media, that I may reward you!

All-Things-Huge-and-Hideous-Kindle

BOOK RELEASE: ALL THINGS HUGE AND HIDEOUS! WITH BONUS GIVEAWAY!

“Hilarious! Veterinary horror like Terry Pratchett would write!”
— D.J. Butler, author of WITCHY EYE

“A rollicking adventure that hits all the right notes.”

–Christopher Ruocchio, Award-Winning Author of The Sun Eater Series

 

Yesterday, a dream of mine came true. I became a published novelist for the first time. All Things Huge and Hideous has been released in Kindle format. Sometime before September, it will be released in print format as well.

I’d like to thank all the readers who have made this possible, as well as Jason Rennie, my publisher and Superversive Press. Special thanks also go to D.J. Butler and Chris Ruocchio whose blurbs are above.

Now, I’d also really love it if folks would spread the word, so for the people who share this on Facebook, or Twitter, or even better, reblog it TODAY, I am going to put your name in a drawing to win a signed copy of the book! Make sure to tag me if you post it on Facebook or Twitter. If you do it somewhere else where I’m not a member (like Instagram or Twitter) then please shoot me a note on my Contact form with a link so I can see it. This offer is only good for the next 24 hours, starting at 7:00 am CDT July 27, 2019!

ALL THINGS HUGE AND HIDEOUS: NOVEL RELEASE IMMINENT!

Well, this is a post I’ve been working toward for a long time. Just got word that Superversive Press is ready to release ALL THINGS HUGE AND HIDEOUS in the next 24 hours. Links will appear when I have confirmation of their code transmission. It is my first full-length novel, a dark fantasy comedy chronicling the misadventures of Dr. James DeGrande and his assistant, Harriet Templin, pressed into the service of the Evil Dark Lord of the World.

I made myself a promise a couple of years ago, that whatever else happened, I would not let my 45th year go by without publishing a novel, one way or another. Today (or perhaps tomorrow) by the grace of Christ, that promise is fulfilled.
There are so many people I have to thank for this moment, I’m going to screw up and forget some of them, so if it’s you, you have my deepest apologies. First, I’d like to thank Jason Rennie, my editor, for doing the hard work of getting this ready to launch before Dragon Con in a month. If you’re there, please stop by. I’d like to thank many beta readers, especially Ralph M. Seibel and Jon Miles for their time reading the manuscript, and valuable tips. Cedar Sanderson and Jim C. Hines for encouragement and time on their blogs when the first part of this book was out as DOCTOR TO DRAGONS. I also thank Christopher Ruocchio and Dave Butler, a couple of much more established writers, who took the time to blurb this book. Great thanks go to my wife, Katie Huggins, who endured — as most writers’ spouses endure — endless moping over quality and the tapping of keys in the background. UNlike most writers’ spouses, however, she also endured being relentlessly questioned about the ailments and habits of various animals so that I knew my veterinary medicine wasn’t completely laughable. And finally, special thanks and honor go to George and Linda Huggins, who made this series possible by introducing me at a young age to both contemporary fantasy, AND the books of James Herriot, MRCVS, without whom the eponymous tales of James and Harriet would never have come to be.

Who Wants A FREE eBOOK? Doctor To Dragons!

Well, it’s been awhile since I mentioned this, partly because there was a bit of a learning curve in how to do it, but I now have a fully-functional mailing list, and I want to welcome everyone with a FREE copy of Doctor To Dragons, which is effectively the first three chapters of the full-length novel All Things Huge And Hideous, which will be coming out from Superversive Press this fall.

Honestly, I really love being able to do this, because this gives my readers a chance to preview the book at no risk. If you don’t like Doctor, you probably won’t like All Things Huge and Hideous, and I really don’t want anyone to spend money on something that disappoints them. But if you do like it, then I think you’ll be confident that the money for the full novel is well spent.

To get your free copy, all I ask is that you sign up for my mailing list, which you can do right here! It will come out on the first of the month and on very special occasions (like, I’m appearing at a con or I’ve sold a book), so I won’t be spamming you. Hope you enjoy the ride.

Scott Huggins

Witchy Writer: An Interview With Dave Butler

Today on The Logoccentric Orbit, I am interviewing Dave Butler, author of the groundbreaking Witchy War series. I won the first book, Witchy Eye, at DragonCon last year in hardcover for being a complete sci-fi nerd, and beating the tar out of my fellow panelists at Sci-Fi trivia. It is one of the best book prizes I have ever won. I strongly recommend it, and am now about halfway through the second book, Witchy Winter, which my wife and I are reading together. This led me to invite Dave Butler to do the first author interview I’ve ever hosted on my blog.

One of the things I love about the Witchy War universe is that it is incredibly detailed, with a rich history. How much research did you do for this series before writing the first book?

I tend not to do very much research specifically for my books. For these books, I did a lot of reading, but I didn’t think of it as research at the time. Let me tell you about how I came to write Witchy Eye as an example. Several things I was reading at the time came together, and from those I concocted the basic stew of this story. One of them was a work of historical anthropology called Albion’s Seed, which is a classic work of history by David Hackett Fisher. The basic argument is that we think of the immigrants [that founded the US] as being from England, but there are at least four distinct waves of immigration coming from different parts of England, each with their different dialects and cultures. Now, I didn’t read that as research, I just read it. And then, as I was trying to think of a book to write, I was reading the Brothers Grimm to my kids. And at the same time, I was reading a history of the Thirty Years’ War and realized, embarrassingly late, that the setting of the Brothers Grimm, this whimsical setting full of lords mayor and bishops who are also princes, is early modern Germany. So what eventually became the Witchy War series started out as an idea to retell the Brothers Grimm in early America. While I tend not to research specifically for a book, what I read very much informs what I write.

Hmmm. And here I was trying to figure out how NOT to ask the dreaded commonplace: “Where did you get the idea for this book?” and yet you’ve answered it anyway. How cool is that?

Along those lines, let me throw out one more piece at you. The heroine of Witchy Eye is a character named Sarah, who is 15 years old. She has one eye that has never opened, which has become a festering wound in her head, and she is called, by various characters, ‘The Witchy Eye.” My second child, when she was four months old, my brother was visiting us and noticed that her eyes were dilated to different diameters. And it turns out it was not a sign of concussion, but was in fact a harmless neurological condition in which some people’s eyes dilate at different rates. And so, from the age of four months, I have called her my witchy-eyed child.
Also, my son was born with one ear folded flat against his skull, because in utero his head was pressed up against the uterine wall. And my third child has a recessive gene on my wife’s side for very curly hair. So she has this extremely curled, white-girl ‘fro.
So these three facts about my kids are part of the basic inspiration for this story, which is fundamentally about three siblings who come to learn of each other’s existence, and each of them is marked from birth—one with a disfigured eye, one with a strange ear, and one with strange hair—because of the inheritance they have from their dead wizard father.

That’s awesome. Now, as a history teacher, I have to ask some questions stemming from my own professional geekiness, so here goes: You have created a universe, here, in which the Enlightenment never really happened. Was there anything in particular that led you to that concept?

Well, these books are often called alternate history, which is a fair thing to call them, but they’re not alternate history in the sense in which that term is usually used. In the Harry Turtledove sense, that usually means taking a moment in history I regard as pivotal, changing the outcome of that moment, and then writing a story exploring how things might have been different as a result. And that’s not this. In a way, it’s more of a cartoon. It’s rewriting the world as it is to make a lampoon of it. I try to show some things about the world that I think are interesting or important. And if there is at a moment at which the timeline diverges, it’s pretty much in the Garden of Eden. The word ‘human’ doesn’t even appear, but there are several species of human around, and one of the major themes is the struggle among them. So it wasn’t that I wanted to erase the Enlightenment, but I did want to give the Thirty Years’ War and the English Civil War a different significance. And doing so meant that Protestantism got written out…

Because those got replaced by the Serpentwars, correct?

Yes. So there are movements in the Witchy War universe that are Protestant-like, but no Protestantism, but many of those historical figures still have roles to play, such as Calvin and Robespierre showing up as lawyers, for example.

I laughed out loud when I came across “St. Thomas Paine,” as a holy figure of the Catholic Church.

I find it difficult to write pure humor, but neither can I write books that are purely humorless, so the books have a number of jokes baked into them, and some are kind of “highbrow” and some are fairly broad pop-cultural jokes.

And you just anticipated another of my questions, which was what the chief point of divergence that differentiates the Witchy War universe from our own. But I noticed that of the major figures of the Enlightenment, Newton perhaps being the sole exception, most of them have been pretty evil: Cromwell the Necromancer, the Sorcerer Robert Hooke, and so on. Was there anything about Cromwell that made you choose him as an avatar of evil? Or drove you to select Newton as the good wizard that opposed him?

Well, Newton was interested in many things that we today would call occult, and in fact when he proposed the laws of gravity, many of his peers, who were steeped in Aristotelian science, said, well, that’s action at a distance and is therefore occult. And it didn’t help that Isaac couldn’t explain WHY there was gravity, only that there was. So it’s kind of a truth to say that Isaac was one of the last great wizards in history.
As far as Cromwell goes, we tend to look at him as a force of progress, a democrat who is moving toward universal suffrage. But there are other lenses through which to see him, especially when you consider the idea of the Divine Right of Kings, which says that the king is God’s representative on the Earth. From that point of view, Oliver Cromwell is a kind of cosmic villain. He is the man willing to raise his hand to strike down the Lord’s anointed. So I wanted to use Cromwell as a cosmic figure, relating to one of the book’s themes.

In the second book, I actually use a term from Classical Egyptian, djet er nekhekh, which means “enduringly and repeatingly.” For the Egyptians, there were two kinds of eternity—that which continues indefinitely, and that which disappears, but then returns. (By the way, I make the suggestion in the books that this is an idea that comes from astronomy—in the northern hemisphere, we see some stars that never go away, and some that go away and return. So that’s my great contribution to Egyptology. We’ll see if anyone notices.) One of the themes of the books is that there are differing views of eternal life. Cromwell believes that eternal life means you never die. But some of the other forces believe that it means recurrence. Cromwell is science standing against death.

Which leads to another question: Are you going to get around to explaining the theology behind this world at any point? Like, why God might have made a different decision regarding an Earth with MANY sentient species and usable magic, as opposed to our world, in which we have a Christian theology that forbids magic entirely? And with which most readers are familiar with, at least in passing?

I don’t think I mean that to be forever a mystery. Most of the gods in this series are in fact things people could be familiar with from our world, such as pagan beliefs and Vodun. So this universe is polytheistic in that sense, but I think ultimately what you will see by the end is the ecology of a God that is rooted in the Bible but that includes not just a single God, but includes a triad of gods: Father, Mother and Child and how that includes many creatures, some of my own devising.

And are the Heron King, Peter Plowshare and Simon Sword, completely your own creations, or do those have a basis in history of which I am not aware?

No, those are my own creation.

Since we’re talking about religions, here’s a question at least partly from ignorance: You’re a practicing Mormon, and as I understand, Mormon religious tradition involves the story that the prophet Nephi led his people to establish a civilization in the New World. On the back of Witchy Winter is a site designated Na’avu. I know that in the TV series The Expanse the Mormons called the interstellar colony ship they were building the Nauvoo. I don’t know the significance of that term in the Mormon faith. How much, if any, did your Mormon faith inform your construction of the world of the Witchy War?

Well, Nauvoo is Hebrew for “beautiful,” and it appears in the Song of Songs in the Old Testament. The only real significance of the name is that the Mormons built a settlement in Illinois during their migration westward, and called it Nauvoo the beautiful. For me that name is one of several jokes or call-outs that some people will catch.

Am I trying to write a re-written version of Mormon history, the way Orson Scott Card did with his Seventh Son series? No.

Am I trying to influence people to think a certain way about Mormons or Mormonism? No.

Does Mormonism influence what I write? Of course. I am a practicing Mormon, I live in Utah. I’m not just a little Mormon, so of course it does influence my writing. The books are theological: not in the sense of wanting to preach or teach anything, but in the sense of exploring ideas in a context of faith. I consider myself a seeker in my faith.

There’s a lot of Bible in these books—the characters take their vocabulary from it, and their ideas about order, and their magic. I’m trying to find the soul of America as it exists for me, and many Americans have seen and still do see themselves as living out the epic of the Bible. Mormons do, certainly, but so do others. I think you can’t tell a true story about America and what it means if the Bible is not somehow involved. So as I tell this story, it’s inevitable that my Mormonism is part of the equation. But it’s not an allegory or a missionary tract.
One more thought, which I’m afraid is sort of grandiose, but I’ll say it anyway. Tolkien wrote to a Jesuit friend that he was afraid nobody would like The Lord of The Rings because it was too Catholic. T.A. Shippey, who followed Tolkien in his chair at Oxford, commenting on this letter said frankly he had no idea what Tolkien was talking about. And that’s funny, because it’s obvious that you can look at Tolkien and see Christianity and Catholicism. To give just one example, Sauron falls on March 25th, and that becomes the new year of Gondor. And Tolkien the medievalist knew that March 25th was believed by medieval Christians to be the date of the crucifixion. What was Tolkien doing? Trying to build a mythology for his native land, in which his Catholicism inevitably shines through. And I am trying to do the same thing for America. So it will have a lot of idiosyncratic stuff in it, including my Mormonism.  

Now I’d like to ask some questions about the series in general. Is magic in this universe something that anyone can do? Or only certain people?

Both. Some people have the talent to practice magic at a high, theoretical level, called gramarye. Firstborn tend to have more of that gift. Most people, however, practice magic through a sort of hedge-wizarding tradition, using the rituals of actual magical traditions.

One of the things I’m very curious about is this: Sarah is child of a union between the firstborn AND what would we would think of as “normal human?” She thinks of herself as firstborn by the time she knows her heritage. Are the firstborn traits “dominant” in any sense?

That’s an interesting question, and not one I’m sure will ever definitively answer. Even among the characters in the books, there’s not always a sharp dividing line. It’s possible I will write stories exploring this in the future.

Aside from what happens to the soul at the moment of death, what is the difference between a purely human-looking Firstborn and what we would think of as an ordinary human?

It’s possible you wouldn’t be able to tell. You could tell if they came into contact with silver, because there’s something in their blood that reacts badly to it. It will cause them pain if they contact it, and injury if the contact is prolonged.

How did you come to sell Witchy Eye to Baen?

I went to WorldCon in Reno in 2011, trying to make contacts. Among others, I noticed that Toni Weisskopf was there doing a “Strolling With the Stars” event, in which you could meet famous people by going on a walk with them. So I went and discussed Witchy Eye with Toni, and shortly after that my agent at the time dumped me. So I sent the book to Toni on my own in February 2012, and her first response was, “Hey, this might not be the best fit for us.” So you have to be smart when you talk to editors—you don’t want to crowd them, and you also don’t want to let the connection go cold. So I’d wait for good news, drop her a line, and say, “Hey, congratulations that your author won such-and-such, and I look forward to hearing from you when you’ve had a chance to read my book.” In the meantime I got a new agent, and my first sale was a three-book deal to Random House.  So I mentioned Witchy Eye to my agent, and then went to Sasquan and told her that I was going there to talk to editors about having her send them this book. She was more of a children’s literature agent, so she didn’t know a lot of these people directly. I said, I will give you the contacts and you can submit to them. So I went up and connected with 4-5 editors, including Toni, who had not yet read the book, and then had my agent submit to them. Including Toni. So in 2016, Toni came back and made me an offer. So my experience wasn’t nearly the straight line you hope for, as a beginning author. And I got very lucky, because I passed up a number of opportunities that would have seen it published if I had been willing to rewrite it in ways I didn’t really want to. And the moral, here, by the way is not, “Hold fast to your vision, you will succeed in the end.” The moral is, I got lucky.

So you’ve just delivered Book 3, Witchy Kingdom, to Baen. Do you know how much further the series goes, or is this the end?

It’s planned for six. The second half will have a different naming convention, so it’s kind of two soft trilogies. I have other projects in the works that I can talk about. The Cunning Man, which I co-wrote with Aaron Michael Ritchey, is coming out in November from Baen. It’s set in 1935, about a beet farmer who learned traditional lore from his grandmother, and uses his magic to fight the evils of the Great Depression.
I also have hopes to sell a book entitled The Palace of Sorrow and Joy, which is a kind of a sword and sorcery noir about two thinking-men down on their luck, working as thugs, who end up getting targeted as patsies in an insurance fraud scheme involving murder. I’m also hoping to publish a middle-grade series, sort of an Encyclopedia Brown/Dr. Doolittle style set of books called The Tarantula Thief, which is about a boy who talks to animals and uses that skill to fight evil in his school and neighborhood, and I’m in about 4-5 anthologies coming out this fall.

Tell me about what winning the Whitney Award means to you.

There are two Mormon literary awards, the Association for Mormon Letters Award and the Whitney Award, and Witchy Winter won them both. I’ve seen that winning awards has almost no effect on sales, but awards do mean that someone read your book and thought it was good. For years, I got used to being an also ran—I was a finalist for the Dragon Awards and the Whitneys and the AML before—so from a morale standpoint, it’s awesome to finally win.

I’d just like to take a moment at the end to thank Dave for being a great guest on the blog, and for being very approachable and helpful both online and at DragonCon last year. For those of you intrigued by the series, you can buy the first book on Amazon right here.

Newsletter Launch! With FREE (small) BOOK!

So for a long time, now, I’ve had a CONTACT THE AUTHOR page set up on my blog. And now it’s time to kick that into high gear, because it’s time for a NEWSLETTER LAUNCH!

That’s right, I’m finally going to do what so many awesome authors are doing: send out a monthly update on all my fiction news!

And just as an incentive to get people to sign up, AND to give everyone a little taste of what’s coming, everyone who signs up gets a free copy of the DOCTOR TO DRAGONS ebook!

So come on! What have you got to lose besides your minds? To sign up, go to the CONTACT THE AUTHOR section and send me a note, making sure to check the box saying that you’d like to be added to a mailing list. And by next week, you will have your FREE ebook!

Critiques And Stories!

I don’t want to make this blog into a marketing machine, but I haven’t written about my Patreon account for about a year, and I just made some changes to it, so today I’m going to let you know what all of you could get if you choose to patronize me.

Um, maybe I should rephrase that.

Okay, so starting at the $2 reward level, I will start writing you your own personalized story at the low, semi-pro rate of $0.03 a word. The longer you support me, the longer your story goes.

At $10 of support, I will provide a detailed critique of a single work of fiction/poetry of 6k words or less. I’m a runner-up with about 20 short stories published: it’s a good deal.

At $25 or more per month, I’ll offer a second critique, only this one will be good for up to 10k words. Yes, you can get 2 critiques per month.

Finally, $40 of support gets you a single piece of flash fiction that I will write just for you, on whatever subject you wish.

Try out some of these rewards and watch your writing improve. Or just enjoy some great fiction. Thanks for your support!