Finding Your Religion: Some Thoughts On Creating Spec-Fiction Religions

 

I’ve been a follower of Christ and a science-fiction and fantasy writer for roughly the same amount of time, although I hope I’ve been a better Christian than I have been a writer (after all, I still haven’t sold a whole book!) A long time ago at Wiscon, I introduced, while on a panel on religion in fantasy, the ideas of Demand and Consequence. Roughly, I said that a religion’s Demand was measured by what actions a person must take to please the Divine, while the Consequence is what happens as a result of pleasing or angering the Divine. So, for example, Orthodox Judaism would be a fairly high-Demand religion. You follow all the laws. You observe the Sabbaths. You minimize your associations with outsiders. My own religion, Christianity, would be high-Consequence, possibly the highest: eternal paradise or eternal damnation, and you only get one shot at it.

(Of course it would go without saying that individual followers might perceive this spectrum very differently. I do know those who claim to be Christian who deny the existence of Hell, despite scriptural statements to the contrary, and would expect to find similar differences of theology in all major, and probably most minor, faiths.)

But it has recently occurred to me that the concept of Demand needs some work. After all, is Christianity high, or low-Demand? Jesus says that “if any man come after me, let him deny himself, take up his cross, and follow me.” That’s about the hardest thing that can be demanded, but most of us do not get martyred for Christ. Even many of the Catholic saints didn’t. On the other hand, Jesus also says that God will forgive any sin, for the asking. So it occurs to me that we need another quality to measure, between Demand and Consequence. What is the cost to a person to make up for failing the demand? I will call this quality Penance. Christianity, so far, would be a High-Demand, Low-Penance, High-Consequence religion.

But the different religions might also be considered in terms of what consequence simply not following the religion. I shall call this quality Allegiance. Christianity and Islam would be high-Allegiance religions. Not belonging to them is interpreted as a rejection of God. Buddhism, however, would be low-allegiance. Your actions are what make you enlightened or not, regardless of whether you’re actually “believing in” the Buddha or his theology.

On the Consequence side of things, there are also difficulties to work out. For one thing, Consequence may be perceived radically differently by those in different cultures or simply by different individuals. To me, Hinduism appears to be a fairly low-consequence religion. After all, if you believe in reincarnation, and you fail the demands of your religion in this life, you can always try again. However, given that fundamentalist Hindus are even now engaged in persecuting Muslims and Christians in India, I am going to have to assume that I am missing some vital piece of this religion, at least to some of its followers.

More crucially, though, the idea of Hinduism raises another point: does the religion teach that souls have multiple earthly lives, or one? That matters greatly to Consequence, enough so that perhaps a religion should be classed as a Repeating or Non-Repeating religion.

Another thing that considering Hinduism brings up is its habit of syncretism, or adopting the practices and prophets of other faiths. Hinduism, the ancient Greek faith, and Baha’i would be examples of faiths that tend toward syncretism, while the Abrahamic faiths specifically forbid it.

Finally, another quality that should be included is what I might call Zeal. How much pressure do followers of the religion find themselves under to spread the faith, and make others abide by its tenets?

So far, I have kept my examples restricted to real-world religions, and have only done so in a limited fashion. While you could use these scales to quantify and compare real-world religions, I don’t think that’s very useful, and would likely lead to a whole lot of acrimonious debate around the details that the devil is in.

But I think that as we examine SF-nal and Fantasy faiths that it’s interesting to look at some of the contrasts that show up.

One of my favorite Fantasy religions is Lois McMaster Bujold’s Quinatarianism (along with its Quadrene heresy). Quintarianism is Low-demand and low-consequence. It’s possible to offend the gods, but you really have to work at it. Damnation isn’t so much Hell as being condemned to fade into nothingness as a ghost. Low-penance and low-allegiance follow from the low-demand, here. It’s a non-repeating religion that is non-syncretistic. It’s zeal is fairly moderate. The Quadrenes are about the same but with much higher zeal, but this is understandable, since the major point of contention is whether the “fifth god” of the Quintarians is in fact a god or a demon lord. The Quadrenes believe that the Quintarians are devil worshipers, and since demons CAN be proven to exist in this world, their fear is somewhat justified. Quintarianism and Quadrenism feel like fully thought-out religions, with developed theologies, that assume their followers are more or less ordinarily reasonable people.

By contrast, we have Robert Jordan’s Children of the Light. This religion is Low-demand (there don’t seem to be any commandments of the Light) seemingly Low-consequence and Low-Allegiance, or at least no spiritual penalty is ever described for violating or ignoring the Light. It’s a repeating religion, but non-syncretistic. However, it’s incredibly high Zeal, as the Children of the Light have been for centuries trying to spread their faith and subdue their enemies (and have apparently succeeded only in taking over a nation about the size of Belgium). And so we are left with the question of why the zeal is so high. The Children are portrayed as essentially religious bigots who merely think themselves morally superior to everyone. And thus it feels as though this is merely the author’s own dislike of the overtly religious. Heinlein’s approach to the Martian language felt very similar in A Stranger In A Strange Land, when Michael Valentine Smith overturns all human religion by introducing the Martian language as the ultimate spiritual principle: (Low-demand, high-consequence, low-zeal, syncretistic and low-allegiance) Heinlein disliked existing religions, and invented one he, and many readers of the time, liked, which as a bonus, was absolutely provable.

My only conclusion from all this is that to create a real-feeling religion, the elements must be balanced coherently. Why, for example, have a high-zeal religion when there is low demand, consequence, and allegiance? But it raises some interesting questions for me as a writer. Like Heinlein, most authors today prefer to cast their religions as low-demand, low-consequence, low-zeal, and low-allegiance, to avoid the charge of religious bigotry. But if the religion is worth following, like Heinlein’s, the consequence HAS to be at least PERCEIVED as high at some point, or why does it succeed? Hinduism and Buddhism may be low-consequence in comparison with, say, Islam, but only in comparison, otherwise, why would people devote their lives to them? Also, is it possible to create a high-consequence, high-zeal religion that doesn’t feel like bigotry? Bujold portrays the Quadrenes as bigots and inquisitors, and yet, if they are right, their Quintarian foes are actively helping demons eat souls in the guise of piety. If true, that would be monstrous, and the Quadrenes would be the heroes. Could this be done in earnest, or is it impossible? It is a question that interests me, and I look forward to authors capable of taking up the challenge, even as I seek to do so myself.

Words: Stranger Things 2, Episode 1 Microblog (Much Spoilers, Many Wow)

So, I’m going to take some time to talk about each Episode of Stranger Things Season 2 as I remember watching it, discussing some of the techniques from a writer’s and a viewer’s point-of-view.

The Good Stuff: In the last season’s finale, the fate of El was left very open-ended. We are unsure if she has died killing the Demogorgon or not. As an aside, I hated that El appeared to die. I reserved judgment on it, but it was one of the very few times I felt like this series dived into cliché really hard: young lovers admit their love for one another just in time for her (and it is always her) to die.
That said, I really appreciate that the series showed us El’s survival from the first, and didn’t try to extend the cliffhanger. Extended cliffhangers have become a form of literary torture in genre-fiction for the last twenty years (I’m looking at you, ghost of Robert Jordan) and I am sick to death of it.
Another thing that was left up in the air was Will Byers’ fate. Was he really unaware of his flashes into the upside down? Was that really Will Byers in that body? The answer to both of these questions was clearly revealed (No, and yes) with Hopper and Will’s mom, and Will acting like rational, but terribly confused human beings. As they should be. The series brilliantly continues to straddle the line between whether Will’s visions are flashbacks or real. Bringing up the horribly enticing question: how would you know?

The Bad Stuff: The new Lab Director seems very reluctant to even reassure Hopper that he takes his suspicions of leakage seriously. This just comes off as obtuse.

Further Questions Introduced: Is the new Lab Director really any improvement on Brenner? Or is he just more subtly evil? What is the story behind Max and her brother the new Keg King? Are they as much of a part of what’s going on at Hawkins as the mysterious “8” we see in the prelude?

Words: Stranger Things (Lots Of Spoilers), Part II

So, yesterday, I talked a lot about why I liked Stranger Things. Now we come to some of my criticisms of the show. None of these spoiled my enjoyment of the show as such, but here we go:

Minor Idiot Plots: So I have to modify what I said earlier. There are a few minor instances of the Idiot Plot. The subvariant, in this case, is People Don’t Tell Each Other They Know Things: Jonathan doesn’t tell Mom he’s figured out that she’s seeing and hearing real things, and when Nancy very reasonably asks if they shouldn’t tell her, says something like, “No, she’s been through enough.” Well, yes, and a very large part of all she’s been through is nobody believing her. It should be obvious to anyone that telling Joyce she’s not crazy is the best thing you could do for the poor woman.

Toxic Atmosphere: This is one of those writing moments that truly baffles me, because there was absolutely no reason for it. When Hopper and Joyce are prepared for their trip into the Upside Down, Evil Dr. Brenner tells them the atmosphere is toxic. Um, no. Will has survived there for something like three or four days. I’m assuming he found water somewhere, because he’d be in a lot of trouble if he didn’t. He probably didn’t find food, but he wouldn’t die in four days. Hypothermia would be a bigger problem, but there’s probably a temperature cold enough to be uncomfortable but not cold enough to kill. But breathing a toxic atmosphere? For four DAYS? Or even three? Really dumb. I can only assume that the writers did this so they had a reason to show everyone getting dressed up in those scary, scary HAZMAT suits. Which frankly, was pants-on-head idiotic, as the risk of catching a disease from an entirely alien biosphere would have been enough to justify that.

The Creature: I think, for me, the development of the Creature (Demogorgon) was one of the most irritating things, because it was an example of a) a mistake I typically see from new writers, not professionals, and b) it would have been very easy to solve. Here was the basic problem: The writers wanted to give Nancy, Jonathan, and Steve a victory over the Creature. The writers also wanted to make the Creature something that only El could defeat. Something, to be exact, that El would have to apparently die to kill, because it would be immune to Human weapons. And the writers also wanted it to kill Brenner the Evil Scientist.
You can easily see what they did, and I used to make this mistake as a new writer, and I’ve seen new writers make that mistake many times: they wanted their Creature to have mutually contradictory qualities, and they tried to make that work. The result was that we have a Creature that is banished back to the Upside Down by kids armed with a spiked bat, a pistol, a bear trap, and some fire, but an episode later shrugs off hundreds of rounds of assault rifle fire at point-blank range like they were Super Soakers.
Now, the solution to this was pioneered as far back as Beowulf. All you needed was for Nancy, Jonathan and Steve to kill Grendel, and then have that draw the attention of bigger, badder Grendel’s Mom. This would have necessitated a bit of explanation, but certainly nothing too difficult.

Words: Stranger Things (Lots of Spoilers)

I’ve decided to take some time to write about Stranger Things, the second season of which I am currently in the middle of watching. Today, I’m going to take the time to talk about what hooked me into the series’ first season and made me love it. Later, I’ll be talking about the flaws I see in it, and if I have time, I may start examining the episodes as i watch them. This is by way of being an experiment, and who knows: it may spark a conversation.

I’m going to have to say first off that one of the things that really draws me to this series is the setting: for a geeky/nerdy kid who grew up in the eighties and was almost the same age as these kids (Actually, I’d have been about three or four grades behind them), this is a wonderful series. It reminds me of Stand By Me if that had been one of Stephen King’s supernatural thrillers, rather than a coming-of-age story of dealing with the mundane evils of the world. And I loved Stand By Me. Actually, Stranger Things feels to me like someone asked themselves what Stand By Me would be like if you mashed it up with IT. But it has an innocence that has never been part of King’s writing. However, I can’t really talk about the feel with any critical value. You either like it or you don’t. I will say that it fits with my memories of what the eighties were like exactly. So on to the things I feel are actually worthy of analysis:

The characters aren’t idiots. Everyone passably familiar with the horror/thriller genre knows about knows that the easiest way for the characters to get themselves in trouble is to do incredibly stupid things. “Let’s chant the ritual in Latin! What could go wrong?” “The monster is after us! Let’s hide in the basement of the deserted farmhouse! It will never look there!”
By contrast, the characters in Stranger Things are observant, and yes, they take a lot of time to catch up with what we know to be true, but that is part of the horror element. Joyce is experiencing things that are very similar to things a grief-crazed mother might experience. She has proof that Will is alive, but it’s not proof she can show to anyone. Gradually, the other characters acquire similar proofs that demand they trust one another and allow them to take action.
Even the Evil Scientist isn’t stupid. Sure, he’s cruel and unethical as hell. But when his experiment succeeds in a direction he never guessed, he does something that is eminently reasonable: he tries to make peaceful contact with the alien species he has discovered. He is of course horrifically wrong to do this, but that’s not something he could have reasonably known.

The characters are flawed. All the characters we get to know are victims of their emotional flaws. Joyce was already a bit crazed about her responsibilities before Will disappeared, which makes it difficult for people to trust her. El deceives her new friends because she wants to keep them safe, rather than honestly balking them. And Mike and Lucas are each strong-willed enough about their own desires to lead the party in their own ways that they end up breaking it, nearly fatally.

Even the most flawed characters are redeemable. Steve Harrington and Nancy are pretty much typically selfish teenagers driven by their own desires and peer pressure. Jonathan, Will’s brother, becomes a stalker in lieu of any productive social life. Yet Nancy and Jonathan rise above their extremely bad beginning to become allies, and even Steve, who starts out as a quintessential cowardly asshole, redeems himself with a fair amount of courage, which costs him both physically and socially.

Well, that’s all for now. Tomorrow I’ll nitpick some of the flaws.

 

Blog Hiatus: An Explanation

So, I made a kind of unofficial New Year’s resolution to myself that I would begin blogging every day. And, like so many resolutions, this one has failed after, charitably, about 15 days.

To make a long story short, day job transitions, plus a whole lot of family events, have made keeping up that resolution perfectly impossible. That said, I have not given up, and hope to get more blogs out in the coming days.

I appreciate all my readers, and hope to be providing content for you again.

Worlds: Stupid Sci-Fi Film Tricks, The Expanse Edition

SPOILER ALERT for Season 1 of The Expanse if it’s on your “to watch” list.

Are you effing kidding me, The Expanse? I mean, are you effing kidding me?

Here we have a show that most people I know in SF have been raving about, I mean, absolutely raving about for the last couple of years. So I finally decided to use my Amazon Free Prime trial and binge-watch a few episodes.

And it looks good. Man does it look good. Really, the only problem I have with it from a science perspective is I think that it VASTLY underestimates what happens to things and people when a hole is knocked into an Earth-pressure cabin in hard vacuum, but I’m pretty willing to let that slide, on the large scale of things. That’s like complaining about lasers being visible in space combat. Of course they wouldn’t be, but the Rule Of Cool, well, rules.

So, for the first six episodes, I just sat back and enjoyed the SFX, the dialogue, the action, and the whole ride. So, the Earth UN controls Ceres, capital of the Asteroid Belt, by rationing its air and water. Mars, an independent state, also hungers to control Ceres, and the Belters just want to breathe and drink and not die. There’s a Free the Belt movement, headed up by a freedom-fighter/terrorist organization called the OPA, and of course Earth Cops on Ceres try to keep these terrorists down.
As our story opens, one of our protagonists is an Earth Cop chasing an Earth heiress who sympathized with the OPA and who disappeared under mysterious circumstances. We find she has something to do with a freighter set up as bait to lure in an innocent rescue ship that is then attacked by parties unknown with evidence pointing to Mars, apparently with the goal of starting a war. Earth Cop finds more and more evidence tying missing heiress to a raid on a supersecret Martian research base.

And then, episode 7. Oh, gods….

So Earth Cop figures out that heiress was an agent of the OPA Maximum Leader, and assembles the evidence, bringing it straight to his boss… who promptly wipes his files, revokes his access codes and fires him. He figures out she’s in Maximum Leader’s pocket, and as he storms out, the camera focuses in on boss’s neck, where she is sporting an OPA tattoo.

Get that? The OPA’s paid agent, the chief of the Earth Cops in the Belt, is wearing a terrorist tattoo in plain sight, advertising her allegiance. Among detectives. And we’re supposed to believe that somehow, no one noticed this. I mean, this is like a U.S. Naval officer showing up for duty on his ballistic missile submarine in 1985 sporting a hammer-and-sickle tattoo on his wrist. You think someone might ask questions?

And the hell of it is, it’s completely unnecessary. I mean, I believed she could have been a mole. But no one in the solar system would be such a stupid mole and survive more than a month. It drives me nuts when filmmakers feel obligated to underline visually what’s happening for us as though we are too dumb to understand words and to imagine likely consequences of such actions. Stop it.

From Somewhere In Orbit

 

Movie Reviews Far Too Late: Why Pacific Rim Was Awful

I have friends who love the concept of giant, armored robots. I, personally, dislike the concept. For one thing, most of them are simply too big to be even halfway believable without incredibly advanced materials, but even with those, the truth is that for the money and maintenance you would expend on one giant humanoid mech, you could build a tank battalion with a fighter squadron for close air support that would a) take down a comparable mech and b) not be rendered useless by a single malfunctioning joint.

However, during the discussion, I realized that the reasons I hated Pacific Rim had nothing to do with its blatant mech fanboyism.

First, it violated what, to me, is a cardinal rule of good science-fiction storytelling. It’s a variant of something the Russian playwright Chekhov said: If a gun is on the stage in Act I, it has to be used by Act III. My variant on this for SF is this: If you’re going to tell us that some piece of machinery or battleship or whatever is incredibly super badass, you have to show it being badass. Not just tell us this, and then have it crumple like toilet paper. We were told that there was this super awesome Chinese mech, and this super awesome Australian mech, and they serve no purpose other than to be kaiju chew toys in the climactic battle. This was not necessary. Each mech could have been shown taking a kaiju down easily, and then being battered into scrap by more (or more dangerous) kaiju than had been previously encountered, exactly as we see the Death Star detonate Alderaan and then get taken down by the Rebels.

Second, and most ridiculous, they use a nuclear weapon to close the rift the kaiju are coming through, and yet no one ever thinks to use nuclear weapons on the kaiju themselves, despite the fact that the kaiju mostly materialize in the Pacific and then start heading toward cities? Someone should at least have tried this. And before anyone says that this would have been dangerous to the planet, just stop before you embarrass yourselves. Where do you think the vast majority of US nuclear weapons tests happened during the Cold War? Literally thousands of nuclear weapons have been detonated in the Pacific, with few to zero ill effects on the planet.

Pacific Rim is a blatant attempt to use a terrible, but cool-looking solution to a problem. It’s like having mounted knights go fight ISIS in 2018. I grant you that the actual solution, having satellites warning uniformed men in bunkers that it was time to launch nuclear air or sea strikes against kaiju, would not have been anything like as cool to watch. But it would have been far less stupid.

From Somewhere in Orbit

Worlds: The Awesome Bad Idea, Star Wars Edition

I think the most awesome bad idea to come out of The Last Jedi had to be Admiral Holdo’s lightspeed ram of Supreme Leader Snoke’s corpse’s flagship. It was absolutely beautiful onscreen, and something I have always, always wanted to see.

So why was it a terrible idea?

For two reasons: firstly, she comes up with it completely off-the-cuff, which suggests that she (and presumably a whole lot of people) knew exactly what that would do.

Therefore, and secondly, a weapon that devastating, whereby a comparatively small ship devastates a superduperdreadnaught, would have to be put into practice. And if a kamikaze is that effective, it will be used. (Think I’m wrong? I’ll remind you that guided missiles became a reality less than a decade after Japan flew kamikazes into US ships, and were in the planning stages even then). So hyperspace transition missiles would definitely be a thing, especially since we know that hyperdrives can be made small enough to effectively propel fighter craft.

What awesome bad ideas have you seen, and why were they bad? More importantly, could anything have been done to make them good?

What, Writer, Is Your Plan To Fail?

Continuing a discussion vaguely related to The Last Jedi, a military friend of mine pointed out that one of the two real problems with Admiral Holdo’s escape plan (which was not a bad plan in concept, just in execution) was that she had absolutey no back-up plan in case it failed. Real military leaders need back-up plans, contingencies in case the enemy does something unexpected (like, say, suddenly being able to track you through hyperspace). However, I’d point out that Holdo is hardly alone in the Star Wars universe for failing at this. A few examples of how people in the Star Wars universe utterly fail at contingency planning include:

The complete failure of both the Old and New Republics to have a military, or means of raising one rapidly. The whole reason unwarlike people have militaries is for the contingency of suddenly being attacked, or facing a quickly rising threat.

The Rebels in New Hope were apparently content to simply wait for the Death Star to come blow them up, even though they must have had some transport ships to have gotten them to Yavin in the first place. In fact, one would have thought that evacuation plans would have been on their mind most heavily, since they didn’t know they were getting Death Star plans until the last minute.

The Empire is not a lot better in the planning department: They had no plan to catch the Millennium Falcon if its hyperdrive could be fixed. And why in the world did they sabotage it so it would be that easy to fix? They couldn’t have had a platoon of stormtroopers use its hyperdrive motivator for target practice? That’s the laziest job of sabotage ever.

The Rebels didn’t really have a plan for what to do if their commando strike team didn’t bust the shield bunker, which is indeed really stupid. Given the fleet they had mustered, they desperately needed a brute-force, we’ll-take-it-down-when-we-get-there-if-it-costs-us-a-few-cruiser-divisions plan to blow that thing, given the risk to their entire navy. And they also really needed a plan for what to do if half the Imperial Fleet showed up, because it did.

Of course, the supreme failures in the back-up planning department were the Jedi themselves. Wouldn’t you have loved to have heard THAT Academy In-service Planning Day?
“So, it’s been determined that it’s best to start Jedi training at about age 2. 3, tops.”
“Great. What do we do if we find a Force-sensitive who’s older?”
“I guess we… don’t train them!”
Okay! And just let that person wander around the galaxy with an unspeakable power they won’t know how to use. No danger of turning to the horrible Dark Side there! Hell, even killing potential-but-too-old-Jedi would have been a more ethical plan!

My guess is that this oversight exists because of the Rule of Cool, because desperate, do-or-die plans are romantic. Of course, they do happen, but only in extremis, and are usually far less romantic in real life. General Heinrici’s desperate defense of Berlin in 1945 comes to mind, for example.

The point is, that when you write, you may indeed wish to portray an against-the-odds victory, or a doomed last stand. But such things should happen because everything else was tried and failed. Let your heroes die on Plan Q, not because they couldn’t be bothered to come up with a Plan B.

 

From Somewhere in Orbit

The Once And Future Blog Post

So, the blog has been on unannounced, extended hiatus for about a month. I am sorry about that: it wasn’t planned, just a lot of things… happened.

This year has been a major period of adjustment for me: I gave up my job, we moved across the country, my wife started working full-time, and I stopped, but am working part-time and what with all that plus the holidays, the little hobdemons of depression jumped on my skull and thwacked. So for the past month, I have not been too busy and wiped out to write… but I have been too busy and wiped out to write HERE. However, I have not given up on the blog, and hope you won’t give up reading it. It is my hope, in fact, to blog more often throughout the coming year.

So, how did the writing go in 2017? Not that great. But, because while I actually believe that people learn a lot (and are sometimes encouraged by hearing about) the failures and difficulties of others, I submit the following:

This is the first year since 2014 that my writing sales have not surpassed the previous year. In fact, it marked my lowest publication output since 2014

Partly, this is because I submitted fewer manuscripts, in the aforementioned craziness, as we uprooted our lives from Kansas and settled back in Wisconsin. Also, for much of the year I was working on finishing up two novel manuscripts instead of short stories. I submitted 57 original manuscripts this year, as opposed to 80 in 2016 and 65 in 2015. On top of this, I was trying tougher markets, with higher rejection rates.

There were some bright spots in 2017: My first (very short) standalone book came out (and is still available on Amazon for just $0.99 on Kindle!) and I made some very valuable contacts and set plans in motion that will hopefully see fruition on 2018. There are still some things I can’t talk about yet.

Nevertheless, the count this year is as follows:

A DOCTOR TO DRAGONS (novelette) from Superversive Press. You can buy it by linking to the sidebar!

“Phoenix For The Amateur Chef” (reprint) became a podcast on FarFetchedFables.

“The Blind Queen’s Daughter” (reprint) became a podcast on FarFetchedFables.

“Abandoned Responsibility” (reprint) was sold to HIC SUNT DRACONES, an anthology from Digital Fiction Publishing League. This makes the first time I’ve sold a reprint twice.

“A Song For The Barren” (reprint) was sold to SCI PHI JOURNAL, and appeared yesterday. I once imagined writing a lot of military SF, but age and experience have taught me that, not having been in the military myself, that such stories would be harder to write well than I imagined. This, therefore, is one of my few pieces of such fiction, and I hope it has succeeded.

This is a bittersweet announcement, because this is also SCI PHI’s last issue. I have been writing the theology column A MOTE IN GOD’S “I” for them for over a year now, and am sorry to see it go. It was my first regular writing gig, and while it paid little, it was fun, and I am very sorry it’s over. However, I will be posting those columns here. Additionally, this story marks the first time that a publication sought one of my stories out, rather than me simply submitting it.

Finally, I have also sold the original short story “Day Of Atonement” to D Avraham’s Holy C.O.W. Anthology – SF Stories from the Center Of the World, a collection of stories set in the Middle East. I really love this story, because it comes from a faith that is central to my life.

Thanks to all who have beta-read and encouraged me this year, and to all of you who have taken the chance and spent your time and/or money on my stories. I deeply appreciate you all.

sciphijournal.org/a-song-for-the-barren/