There’s an old story about Josef Stalin that alleges that the Communist leader and mass murderer called for a priest on his deathbed. Seeing as Stalin had been a terror to the Church, the priest tasked with this duty was frightened, but determined to tell the truth. In a shaking voice, he told Stalin that he must forgive his enemies. To his surprise, the dictator smiled and said, “That will be quite unnecessary, Father. I have no enemies.” Finding this impossible to believe, the priest summoned his courage and asked how that was possible. Stalin replied, “I’ve had them all executed.”
I watched the James Bond film, SPECTRE last night. It was pretty much a uniformly awful movie, with a predictable plot and nothing in it that hasn’t been done before and better by earlier Bond movies, notably the superb From Russia With Love, which the screenwriter had obviously seen approximately 472 times, but had failed to understand.
One of the worst features of the film was its depressing predictability: James comes home to find that “C,” a new politician, is considering dropping the 00 program entirely in favor of electronic assets. It is clear within 5 minutes of his appearance that C is either the ultimate bad guy of the film, or in direct cahoots with him, and C is indeed unmasked as a traitor in the service of Blofeld (whose motivation was apparently to dominate the world because he was jealous that he had to share a few hours of his daddy’s attention with James when they were both teenagers, which makes him the most ridiculous temper-tantrum thrower of a world-dominating villain since Anakin Skywalker in Episode II, but I digress).
The reason I bring it up is because it really highlights the feature of what seems like a lot of movies these days: anyone troubling the hero must be the worst villain imaginable. It seems as if it is no longer possible for the hero to be saddled with someone who is (even temporarily) perhaps an asshole, but on the same side. For C to consider dismantling the 00 program, he does not have to be a traitor. He can still be a problem James has to solve, of course. In fact, he’s a much more challenging problem if he is loyal, because then James can’t simply kill him.
Movies weren’t always this way. As recently as Pirates of the Caribbean it was perfectly possible for the heroes to have opponents, such as, Captain Norrington, who are kind of assholes and who have to be circumvented, but who are, when it comes down to it, on the same side against the pirate-zombies and who are reasonably brave and not traitors.
One of the most extreme examples of the decline in this sort of thing is the mockumentary CSA: The Confederate States of America. A much better film than SPECTRE, it imagines a Ken Burns-style alternate history in which the United States was defeated and wholly assimilated into the Confederate States in a short Civil War, after which slavery was legal up to the present day. That this is a dystopia is obvious, but the screenwriters take it to such extremes as to imagine the United States being sympathetic to Hitler in the 1930s while at the same time going to war with Japan in the 1940s. How this bit of political gymnastics works out is never explained. The film even goes so far as to have the Confederate States sneak attack the Imperial Japanese Navy in Tokyo Bay on December 7th, 1941.
You can see what they have done here: the Confederate States of 1941 must not only be evil, (as, granted, they surely would have been), they must be so evil that they cannot experience the injustice of a sneak attack themselves. They are literally incapable of being wronged. If the Japanese had launched the war as they did historically, and bombed a Confederate fleet at Pearl Harbor, then we might, horror of horrors, be forced to imagine that something even worse than a Confederacy might exist. Like people who might, say, perpetrate the Rape of Nanking, which of course, the Japanese did.
I see in these films a symptom of something I find to be ugly and dangerous. The idea that being challenged in our preconceptions and beliefs about what is best (or worst) is equivalent to an attack that must be met with lethal force and no shred of mercy. And that is indeed frightening.
From Somewhere In Orbit