How Not To Worldbuild: Ep. I, The Phantom Mess.

So, I realize it’s a little late to bash on Star Wars, Ep. I, The Phantom Menace, but I have a good excuse; I have three children. So upon discovering that the prequels existed, which they did by the subtle and clever ability of knowing how to count things in a sequence, they asked me if I would please, please PLEASE check out the prequels from the library so they could watch it despite my wife’s and my strong moral position of not having such filth in our house.

These are the struggles facing those of us who dare to parent responsibly and with discipline.

But yes, I caved.

And I am proud that one of the first questions my son asked was pretty much: “So what’s a blockade, and how come the Trade Federation can just do that?”

Which of course, was one of the questions that Lucas should have asked himself before penning this godsawful mess. See, in the opening crawl, we are told that the whole mess with Naboo stemmed from the taxation of “outlying trade routes” being “in dispute.” Which led to the Trade Federation imposing a supposedly “perfectly legal” blockade of Naboo because…

Because why? Because it was Freak-Out Friday? We know that Naboo and the Trade Federation are both member states of this Galactic Republic. I mean, ignoring the fact that a blockade is pretty much always an act of war, and ignoring the fact that I can’t even THINK of a historical precedent for a polity that would legally allow one member state to straight-up blockade another member state, what possible advantage does this confer to the Trade Federation? Senator Palpatine later says that the “taxation” of the trade routes issue began in the Galactic Senate, but never says who was taxing what, or why, or how the Trade Federation blockading Naboo makes sense as a retaliatory measure.

As a side note, I think the only thing that makes remote sense is that somehow, Naboo refused to pay the taxes, and the Trade Federation retaliated with a blockade. And when Chancellor Velorum sent the Jedi to negotiate, Sidious ordered their deaths and the subsequent invasion of Naboo to prolong the crisis. Of course, this is pretty funny when you realize that the whole thing relies on the Senate being just fine with ignoring the invasion of Naboo, AND YET ready to remove the Chancellor for IGNORING the invasion of Naboo, AND THEN replacing him with the Senator from Naboo, who will not ignore the invasion of Naboo.

Now, I suppose one can always say that that’s a hell of a lot of backstory that’s not very interesting, but that ignores the fact that the original Star Wars painted a completely logical picture of the Imperial Government with just a few sentences in passing:

“Holding her is dangerous. If word leaks out, it could generate sympathy for the Rebellion in the Senate.”

“Send a distress signal. Then inform the Senate that all aboard were killed.”

And later…

“The Imperial Senate will no longer be of any concern to us. I’ve just received word that the Emperor has dissolved the council permanently. The last remnants of the Old Republic have been swept away.”

“That’s impossible! How will the Emperor maintain control without the bureaucracy?”

“The regional governors will now have direct control… fear will keep the local systems in line. Fear of this battle station.”

In five sentences, we have a complete and coherent picture: The Emperor is consolidating control over the relatively-new Galactic Empire, and using the equivalent of nuclear weapons to do it. He and Vader are keeping the inflammatory arrest of a Senator for treason quiet until the Emperor can dissolve the Senate, and the Death Star is ready to back the power play. All of this is reasonable, and it takes maybe three minutes of dialogue. That’s excellent worldbuilding.

Twenty years later, in its place, we have far more dialogue that gets us exactly nowhere. It’s like he just didn’t care.

3 thoughts on “How Not To Worldbuild: Ep. I, The Phantom Mess.

  1. Every plot point, every world-building node, every point on the backstory timeline, was egregiously stupid.
    I can’t think of anything about the movie that makes any sense at all.

    • Check out the webcomic “Darths and Droids.” He makes the first trilogy make more sense than anyone. Notably, that Jar-Jar, and most of Naboo’s ecology and government, were invented by a small child who was included in an RPG because one of the players had to babysit that night..

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