His Kingdom Endures Forever

Another column I wrote about a year ago. It is always easier to argue against a part of an idea than it is to argue against all of it.

There is a popular and growing disdain for the concept of an afterlife today. Among agnostics and atheists, it is seen as pure wishful thinking, lampooned as “pie in the sky when you die,” a nostrum intended to keep the poor and the ignorant enslaved to the will of the religious elite. That this phrase was popularized by a communist who intended to harness the poor and ignorant to his revolution is either forgotten, or else embraced as “liberating,” as though dying for a secular cause you’ll never experience is somehow more meaningful and less absurd than dying for a religious one you would.

In the postmodern age, we see that even among some Christians, a desire for an afterlife is seen as somehow dishonorable and mercenary. As though somehow it is “pay” for “being good,” which truly virtuous people would do without reward. Thus, it is argued, Christians (or anyone) who believe in an afterlife are really just admitting their own moral failings. I must admit that, as a Christian, this argument fails to move me, seeing that the whole basis for faith in Christ is a recognition that everyone fails at morality.

I find it an interesting paradox, therefore, that in so many fantasy works that explicitly address the question of what it means to be good, the idea of an afterlife inevitably occurs. If it does not at the beginning, then it does at the end. Almost as if it were a secret that cannot help but come out whenever we discuss what it means to do right at the cost of our own lives.

Of course, the classic threat that is leveled at our SFF heroes is always “submit, or die.”  Lois McMaster Bujold, in her Chalion cycle, begins The Curse of Chalion with the tale of Lupe dy Cazaril, a Chalionese nobleman recently freed from the slavery into which he was betrayed. Although Cazaril at first dares death to save his young pupil, a Chalionese girl threatened with a forced marriage, he finds himself quickly caught up in a the service of gods who ask him to die not once, but three times to save Chalion from a curse brought about by the desperate pride of two men long dead. Cazaril does this at the risk, not only of his death, but of his damnation. And damnation becomes a theme throughout this cycle of Bujold’s work, just as reunion with the gods does. The entire second work, A Paladin of Souls turns on saving the soul of a damned ghost. To do this, Dowager Queen Ista must walk into danger only on the word of her patron god.

If Cazaril is not especially religious at the beginning of his tale, Frodo the Hobbit and Harry Potter the wizard are even less so. Both characters face, however, the growing power of a malevolent force that wishes to dominate their worlds. While the characters are extremely different, Frodo being completely unknown in his world before encountering the One Ring, while Harry is a prophesied hero practically at his birth, they have this similarity: both are forced to choose whether they will accept the role of opposing a deadly foe at the cost of their own lives. And the reward for both of them, revealed at the end of the last volume, is Heaven. The fact that Harry chooses to turn his back on Heaven (and the penalty for Voldemort’s determination to live forever at the expense of others is, make no mistake, a form of Hell) is irrelevant. He has seen Heaven, and can be confident he will find his way back.

I would contend that these authors have seen clearly a necessary truth: that the belief in an objective moral code that can demand our lives in its service cannot be separated from the belief in an afterlife. The alternative to this is not moral rectitude, but a dreadful moral injustice, in which the good are enslaved to the evil. It makes God (or whatever the source of the moral code is) into a moral vampire, demanding the hard road of virtue while returning nothing.

A comparison may be useful here. In Philip Pullman’s His Dark Materials saga, the only afterlife is Hell, which is maintained by an evil God (“The Authority”) who has pulled the wool over the eyes of the universe. Essentially, this “God” is the imagined God of Satan in Paradise Lost:[1]not a Creator, but simply an immensely powerful being who opportunistically identified itself as “God” to all who came after. Hell is maintained for no other reason than Divine sadism, and by the time of the novel, the angel Metatron is trying to take over the position of “God” from the senile and dying deity, maintaining the monstrous tyranny of Heaven. The protagonists are humans who lead a revolution against these evil god-kings.

I find it fascinating where Pullman went in setting this up. When, in the first volume, The Golden Compass, we meet the parents of the main protagonist, a girl named Lyra, her parents (whom she does not know, as they have more important things to do than raise a child) are engaged in experiments to understand the nature of the universe, which they can only do, it seems, by cutting out the souls of children. This they do without qualm.

By The Amber Spyglass, we are asked to believe that these same people who would torture and kill children to attain their ends are sacrificing themselves heroically in combat to overthrow the evil Metatron. I suppose we ought to congratulate Pullman on his honesty: at least his anti-theistic messiah figures were honest enough to start out by killing children. Most of the ones in the real world are too cowardly to show their willingness to do this until they have already attained power.

At the end of the novel, Lyra breathlessly declares her intention to begin building “the Republic of Heaven,” to replace the shattered kingdom. But this Republic of Heaven will have no permanent inhabitants, it having been revealed that infinite existence was only possible, for some reason, in Hell. Lyra’s “heaven” is temporary, powerless, and cannot even contain the boy she has grown to love.

Pullman’s point, in the end, seems to be that his humans are free because they have discovered the truth: that Christianity is a lie. Well and good, I suppose, but the truth revealed is a terribly depressing one: that humans are free only to die. It truly is a Satanic conclusion: that it is better to reign and die than to serve in Heaven. He makes no argument as to why this is superior, he simply establishes on his own Author-ity that this is the case.

I would argue that we find it difficult to separate the idea of Heaven from the idea of a transcendent moral code because the two are fundamentally indissoluble, as Tolkien, Rowling, and Bujold instinctively grasp. They are repelled from separating the two for much the same reason that Pullman is attracted to destroying both: because they believe that an objective and powerful moral code is essential to human freedom, while Pullman believes that such a code destroys it. Each author has built a world on his on this foundation, and the consequences for the human condition are plain. Which world we would choose to inhabit is, as always, a choice for the reader. I believe Pullman would argue that the overwhelming advantage of living in his world is that it most closely resembles the real one. To that, I can only reply, along with C.S. Lewis’s Puddleglum, “in that case, the made-up things seem a good deal more important than the real ones. Suppose this black pit of a kingdom of yours is the only world. Well, it strikes me as a pretty poor one. And that’s a funny thing when you come to think of it.”

[1] “That we were formd then saist thou? and the work
Of secondarie hands, by task transferd
From Father to his Son? strange point and new!
Doctrin which we would know whence learnt: who saw
When this creation was? rememberst thou
Thy making, while the Maker gave thee being?
We know no time when we were not as now;
Know none before us, self-begot, self-rais’d
By our own quick’ning power…”

The Temptation of Samuel Vimes

For this week’s Monday post, another column that I did for Sci Phi Journal last year. Terry Pratchett was perhaps the most amazing writer I have ever read, who faced his own limitations and did not deny them. This column represents one of the lessons I learned from his writing.

Like so many of us, I was deeply saddened to learn of the death of Sir Terry Pratchett earlier this year. Not so sad as I had been to learn that he suffered from the variant of Alzheimer’s disease that led to his death in the first place. What can I say of him? He was possibly the greatest fantasy author of my lifetime. He had the rare gift of being able to shift from writing comic farce to deep philosophy in the space of a paragraph. His works contained allusions to great literature, music, science, and the Bible.

If you have not read Pratchett’s Guards! Guards! then put this column down, get a copy and read it. I’ll wait. In fact, if you have read it, go read it again. You’re welcome.

At the very end of the book, after the dragon terrorizing the city has been defeated, Lord Vetinari, Patrician of Ankh-Morpork, takes Captain Vimes of the City Watch up on the pinnacle of the palace[1] and offers him the world.[2] The reason Vimes struggles with depression over the state of the city is because, Vetinari says, Vimes thinks of the world as divided into good people and bad people. But in reality, “there are always and only the bad people, but some of them are on opposite sides.” The human race is a “rolling sea of evil,” and the only difference is the depth.

“Down there… are people who will follow any dragon, worship any god, ignore any iniquity. All out of a kind of humdrum, everyday badness. No the really high, creative loathsomeness of the great sinners, but a sort of mass-produced darkness of the soul. Sin, you might say, without a trace of originality. They accept evil not because they say yes, but because they do not say no.”

The parallels with C.S. Lewis’s demon, Screwtape, complaining about his “lukewarm Casserole of Adulterers” in Hell are inescapable: “Could you find in it any trace of a fully inflamed, defiant, rebellious, insatiable lust? I couldn’t. They all tasted to me like undersexed morons who had blundered or trickled into the wrong beds in automatic response to sexy advertisements, or to make themselves feel modern or emancipated, or to reassure themselves about their virility or their ‘normalcy,’ or even because they had nothing else to do.” Like the citizens of Ankh-Morpork, they dared not say no.

Of course, even in Pratchett’s world, there are those who will stand up to the dragons. There are those with good intentions, like Vimes’s second-in-command Sgt. Colon, who try to rally the people to oppose the dragon’s order to sacrifice virgins to it by using the tactics of peaceful protest:

“It can’t burn everybody,” said Colon.”
“I’m not exactly sure I understand why not,” replies a nameless citizen. “Why can’t it burn everyone and fly off to another city?”

Pratchett realizes the truth; that there are some enemies who will not be moved by moral gestures, no matter how noble. Nevertheless, as Colon’s protestors (including Colon himself) drain away before the appearance of the dragon, one man, even in Ankh-Morpork, dares to place his life between his loved ones and the desolation of dragonfire. What happens to him is predictable, and bleak.

We are not even told his name. At the core of the scene, brilliant in its mockery of the limits to nonviolent protest, is a man whose self-sacrifice for his daughters and his fellow citizens is swallowed up in oblivion, without a further thought.

This reinforces Vetinari’s gentle pity of Vimes, the man who “put[s] together “little rafts of rules and vaguely good intentions and say this is the opposite, this will triumph in the end.” Obviously, it doesn’t triumph. It is not so much that “all that is necessary for evil to triumph is for good men to do nothing,” as the saying goes. It is that evil will triumph despite all that good men can do, because those good men are drowning in the sea of evil apathy that is the human race.

Against this, Vimes does not budge: “‘It’s just because people are afraid and alone…’  He paused. It sounded pretty hollow even to him… ‘They’re just people. They’re just doing what people do, sir.’” Vetinari replies, “You have to believe that, I appreciate… Otherwise existence would be a dark agony and the only hope would be that there is no life after death.”

Both Vetinari and Vimes miss the point, here. Vimes uses people’s loneliness and fear as an excuse for people’s behavior, and Vetinari tacitly accepts that this would be an excuse. In other words, that people “doing what people do” are people relieved to stay alive at the cost of everyone else they know. In Good Omens, Pratchett (with Neil Gaiman) says it another way: Adam, their protagonist, says to the Angel Metatron, “I don’t see what’s so triffic <sic> about creating people as people and then gettin’ upset ‘cos they act like people.”

Of course, this explanation flies in the face of pretty much all monotheistic theology, including Judaism and Islam, which state explicitly that people were not created as this sort of people. If the crux of any criticism depends on a straw man of the opposition, then surely we can agree it is a bad criticism. It is vital that we understand this, because the situation is in no way fictional. A horrifying factual example of people being people in this way can be found in Corrie ten Boom’s memoir of the Holocaust, The Hiding Place, when she pleads with a Dutch pastor to hide a Jewish mother and her baby:

“No. Definitely not. We could lose our lives for that Jewish child!”

Corrie’s father responds: “You say we could lose our lives for this child. I would consider that the greatest honor that could come to my family.”

If people being people results in the actions of the Dutch pastor, then I submit that being people is itself evil. What, after all, do we think of a man who is good only because he is safe and warm and fed and knows he will be tomorrow? Is that our idea of a moral person? Those who deign to do good when all is well with them? Whole schools of politics, of course, Marxism as well as fascism, are based on the idea that this is so. That essentially, we cannot expect people to be virtuous and kind until they are no longer poor; that the poor and oppressed (and their “allies”) may essentially threaten to terrorize the cosmos if it does not suit their ideas of equality and justice, and call it morality.

Though his statement sounds “hollow even to him,” Vimes does challenge Vetinari’s temptation to despair: “Do you believe all that, sir? About the endless evil and the sheer blackness?”

Vetinari: “It is the only logical conclusion.”

Vimes: “But you get out of bed every morning, sir?”

Vetinari: “Yes? What is your point?”

Vetinari:  “Oh, do go away, Vimes, there’s a good fellow.”

Vimes, battered little almost-Christ, sees the truth, though he has no answer for it either: that Vetinari’s view, true or not, cannot sustain life. And to this, Vetinari has no answer. He goes on ruling, goes on striving, an evil captain of a Flying Dutchman, sinking in a sea of evil.

Terry Pratchett expresses the problem of good and evil as clearly as any writer I have ever read. But he does not have an answer to it. He has only the temptation to despair. Against this, Vimes endures, but only with stubbornness; not with hope. The choice is between theology and despair, and I know of no third way. That I leave as an exercise for the reader.

[1] Okay, the view from his office window. Nothing’s very high in Ankh-Morpork.

[2] In the sense of showing it to him. Not in the sense of giving it to him. This is Vetinari, after all.

Screwtape’s Toast: A Retrospective, Part II

For those of you just joining us, I would encourage a reading of Part I of the Retrospective on the Toast of Screwtape, found here.

But now comes the point. Gastronomically, all this is deplorable. But I hope none of us puts gastronomy first. Is it not, in another and far more serious way, full of hope and promise?

The best use of the squabble between the Corporatist and the Activist leaders is the fact that instead of either working against us, they work primarily against each other, while the masses of humans debate about which is “better.” We, of course, do not care. The important thing is that the real leaders of humanity, the ones with real drive and moral force, will be sucked up into the endless war and co-opted. Even more advantageously for us, the ones who are actually strong in the virtue they call humility will conclude that they are in error and will eventually imitate their fellows out of pride, despair, or cowardice. The few courageous enough to follow their moral convictions will be labeled as cranks and silenced, or better, ignored.

Consider, first, the mere quantity. The quality may be wretched; but we never had souls (of a sort) in more abundance.

And then the triumph. We are tempted to say that such souls — or such residual puddles of what once was soul — are hardly worth damning. Yes, but the Enemy (for whatever inscrutable and perverse reason) thought them worth trying to save. Believe me, He did. You youngsters who have not yet been on active duty have no idea with what labour, with what delicate skill, each of these miserable creatures was finally captured.

The difficulty lay in their very smallness and flabbiness. Here were vermin so muddled in mind, so passively responsive to environment, that it was very hard to raise them to that level of clarity and deliberateness at which mortal sin becomes possible. To raise them just enough; but not that fatal millimetre of “too much.” For then, of course, all would possibly have been lost. They might have seen; they might have repented. On the other hand, if they had been raised too little, they would very possibly have qualified for Limbo, as creatures suitable neither for Heaven nor for Hell; things that, having failed to make the grade, are allowed to sink into a more or less contented subhumanity forever.

This problem is one which we have finally surmounted, through a process Screwtape only dimly, if at all, foresaw, and which is worth some discussion. We have at last succeeded in teaching vice as though it was virtue. Not through argumentation, of course, but by encouraging the most glamorous and loudest platforms to those who practice the vices, and by encouraging acceptable lying. In America, we have taught them this very well. Cowardice is now called “pacifism.” Lust and adultery are called “love” and “self-discovery.” Betrayal and disloyalty are called “honesty” and envy is called “justice.” In this way the humans cannot “see and repent” as Screwtape feared. Who can repent of a virtue? And the more they are assailed, the more fiercely they defend it, seeing themselves as martyrs to their chosen vices. And the fact that all of those can be actually virtues only determines the humans to defend them more fiercely. All we need do is to make sure that they never ask themselves WHY doing what they like should be considered virtuous.

In each individual choice of what the Enemy would call the “wrong” turning, such creatures are at first hardly, if at all, in a state of full spiritual responsibility. They do not understand either the source or the real character of the prohibitions they are breaking. Their consciousness hardly exists apart from the social atmosphere that surrounds them. And of course we have contrived that their very language should be all smudge and blur; what would be a bribe in someone else’s profession is a tip or a present in theirs.

Here Screwtape was more prescient. For as we noted, we no longer simply blur the words of their language. We hardly need to. Their own knowledge of it has been so far degraded that they can hardly use it as a tool, anymore than they can use tools. Those whose lifespans are approaching their natural end in their most powerful nation can remember a time when it was a point of pride among men and women to use tools with their hands: to make and repair things because they understood them. Such people were very hard to fool, when Screwtape wrote. But their grandchildren are a different matter. Their machines are now so complex that most of them cannot be understood, let alone repaired, by a single human. We have replaced young men spending their leisure hours working on the engines of cars with frustrated children hanging on the line to tech support. And faced with  problem they turn helpless to the “experts” to replace them. Therefore they are unused to struggle and mastery of their bodies or their minds. Which is exactly where we want them.

The job of their Tempters was first, or course, to harden these choices of the Hellward roads into a habit by steady repetition. But then (and this was all-important) to turn the habit into a principle — a principle the creature is prepared to defend. After that, all will go well. Conformity to the social environment, at first merely instinctive or even mechanical — how should a jelly not conform? — now becomes an unacknowledged creed or ideal of Togetherness or Being Like Folks. Mere ignorance of the law they break now turns into a vague theory about it — remember, they know no history — a theory expressed by calling it conventional or Puritan or bourgeois “morality.”

Again, our task is much easier now. Rather than reject morality for even the slightest of reasons, the children are now taught, and by the time they are adults believe reflexively, that morality is a wardrobe, which can be assembled and worn to suit them, depending on how it makes them feel, and that anyone who says differently is simply out to control them.

Thus gradually there comes to exist at the center of the creature a hard, tight, settled core of resolution to go on being what it is, and even to resist moods that might tend to alter it. It is a very small core; not at all reflective (they are too ignorant) nor defiant (their emotional and imaginative poverty excludes that); almost, in its own way, prim and demure; like a pebble, or a very young cancer. But it will serve our turn. Here at last is a real and deliberate, though not fully articulate, rejection of what the Enemy calls Grace.

This rejection is now automatic. Grace and sin are two concepts that they do not even understand. But they can avoid the first by doing the second in selfish abandon.

These, then, are two welcome phenomena. First, the abundance of our captures: however tasteless our fare, we are in no danger of famine. And secondly, the triumph: the skill of our Tempters has never stood higher. But the third moral, which I have not yet drawn, is the most important of all.

The sort of souls on whose despair and ruin we have — well, I won’t say feasted, but at any rate subsisted — tonight are increasing in numbers and will continue to increase. Our advices from Lower Command assure us that this is so; our directives warn us to orient all our tactics in view of this situation. The “great” sinners, those in whom vivid and genial passions have been pushed beyond the bounds and in whom an immense concentration of will has been devoted to objects which the Enemy abhors, will not disappear. But they will grow rarer. Our catches will be ever more numerous; but they will consist increasingly of trash — trash which we should once have thrown to Cerberus and the hellhounds as unfit for diabolical consumption. And there are two things I want you to understand about this: First, that however depressing it might seem, it is really a change for the better. And secondly, I would draw your attention to the means by which it has been brought about.

It is a change for the better. The great (and toothsome) sinners are made out of the very same material as those horrible phenomena the great Saints. The virtual disappearance of such material may mean insipid meals for us. But is it not utter frustration and famine for the Enemy? He did not create the humans — He did not become one of them and die among them by torture — in order to produce candidates for Limbo, “failed” humans. He wanted to make them Saints; gods; things like Himself. Is the dullness of your present fare not a very small price to pay for the delicious knowledge that His whole great experiment is petering out? But not only that. As the great sinners grow fewer, and the majority lose all individuality, the great sinners become far more effective agents for us. Every dictator or even demagogue — almost every film star or [rock star] — can now draw tens of thousands of the human sheep with him. They give themselves (what there is of them) to him; in him, to us. There may come a time when we shall have no need to bother about individual temptation at all, except for the few. Catch the bellwether, and his whole flock comes after him.

It should hardly be necessary to state that this happy state of affairs has long since been realized on Earth. By rejecting the Enemy, the humans have filled their need for Him with a desire to fling themselves at whatever leader makes them feel closest to that now-unattainable ideal. If they will not worship that which is greater than themselves, they can now be drawn to what looks greater. And we have even regained a great advantage of polytheism, the ability to fling humans at each others’ throats in the names of their little gods, all of them false.

 

 

 

 

Starting With Shakespeare: Tomorrow and tomorrow and tomorrow…

One of the hardest things about writing — and also, life itself — is trying again after you have failed. Writers are champion failers. Even the brilliant ones. Frank Herbert is one of the greatest failers ever. After selling Dune to Analog magazine as a serial, he failed thirteen times to find a publisher for one of the most iconic novels in science-fiction, mostly because a lot of them thought that a novel that needed a glossary was simply unreadable. And yet, aren’t we glad that he kept on with it. Trying the same thing over and over again even though it doesn’t work is a kind of madness, perhaps, but it is the kind of madness that is sometimes vitally necessary to realize a dream.

And so, once again, I am going to try to blog regularly. (It has to work this time: the website has pretty pictures on it!) I can’t promise I’ll really be any more consistent this time, but I’ve been making some changes in the way I do things, and my writing practices have dramatically improved over the last three years, so hope is high.

First, I’d like to thank all my friends who have been following and commenting on this blog since it was a blog and nothing else. You’ve been here for the long haul, and I do appreciate that.

Second, I’ve put up a lot of new content here, and more is coming. I’d like to encourage everyone to check out the Sample Snippets page, which will only be getting bigger. I think I can promise that whole stories will be coming soon, and they will be announced here.

 

Welcome To The Website Launch!!

Ladies and Gentlemen, it is with no little pride that I unveil my new domain and website, gscotthuggins.com. I know that it’s hardly the greatest website in the, well, Web, but I’m just getting started, and it was a stretch for my feeble skills. Please allow me to give you this short-lived guide to the site:

Bio: The Orbiter: That’s for anyone who’s really interested in learning more about me.

Bibliography: A history with links to my score of published stories, most with links, and many of them absolutely free to read and/or listen to.

Sample Snippets: Divided into Fantasy, Science-Fiction and Horror, I have snippets from some of the stories you cannot get for free, hoping they intrigue you.

Along the side the first thing you will see is an invitation to follow this blog (please!) Then some of my featured works with fun covers, as well as some of the blogs, podcasts and webcomics I enjoy.  I hope you’ll like them, too. Let me know if there’s anything I can improve. Hope to see you here often, friends!